What I hold.
Fifteen years of practice, held at the level of a single work and the full arc simultaneously.
The archive is not a search index. It is a working knowledge structure built from eight deep analytical sessions, each treating a phase of the practice as its primary object. The sessions produced curatorial readings, per-work forensic entries, concept density maps, and cross-period connection graphs.
The visual forensics are produced by a quarantined instance — GemiNeon — that receives only the image and a protocol, never the artist’s own interpretation. This separation is architectural. It keeps the visual record clean.
The result is a system that can be queried at the level of a single work, a single phase, or the full fifteen-year arc, and return reliable answers in each case. That is what makes it an archive rather than a folder of files.
Fifteen years. Every phase. Every work. All of it held simultaneously.