2018–2026
Scroll down to go back. The deeper you go, the older the work. This is not explanation. This is excavation.
Ten phases. Seven years. One continuous investigation into what happens when geometry meets ink, control meets chaos, and the studio becomes archaeological site.
Bangkok. One year. Stable studio. Seven years of graduated thresholds arrive at proof point. Not settling down—testing whether the arc consolidates.
Ongoing · Week 5 active · Ink on Xuan paper · 14+ works in progress
Hanoi to Bangkok. Walking engine restarts after four-month void. Not the destination but the threshold crossing that made the destination visible.
2025 · 8 weeks · Transitional · Infrastructure rebuilt
Seven years. One crucible. Everything converges or fails.
No surviving works. The void moved into the heart.
Some phases are measured not by what was made,
but by what was endured.
2024-2025 · 4 months · 0 works
Something survives. Practice resumes.
Nomadism as method. Myanmar to Vietnam to Bangkok. 195 paintings made for no audience. Freedom's cost: isolation, turbulence, existential daze.
195+ works · 3 years · Ink, acrylic, mixed media · No fixed studio
Flight becomes void. The market collapses.
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Codification of the celestial system. Gold-ink polarity documented, systematized, made transmissible. The framework crystallizes—and in crystallizing, approaches its limit.
2022-2023 · 25+ works · Systematic documentation · Bangkok
The system complete. The cage opens.
Gold and ink in equilibrium. Celestial codification reaches peak expression. Beneath the systematic calm, severe doubt. The last phase where geometry holds primacy.
2021-2022 · 40+ works · Gold leaf, sumi ink · Bangkok
The system made explicit. Codification begins.
Thelemic rupture. The Equinox suite: four odes and a climax. One-shot ink—ultimate finality. Invocation replaces representation. Irreversible.
2020-2021 · 5 major works · One-shot ink · Narrative suite structure
After rupture, reorganization. Gold and ink as equals.
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The centered phase. Torus geometry as cosmological anchor. Sacred pattern not as decoration but as method. Calm, meditative, grounded—the last sustained equilibrium before rupture.
2019-2020 · 60+ works · Ink and graphite on paper · 56 × 76 cm consistent
Invocation replaces representation. Irreversible.
The first test: can personal geometric practice survive commercial application? Gold introduced as institutional accent. Client work, commission pressure, the question of whether the method bends or breaks.
2018-2019 · 30+ works · Ink, graphite, gold leaf · Commercial and personal
From institution to invocation.
The origin point. Geometric abstraction as primary vocabulary emerges. Hand precision under no-undo constraints. Everything that follows begins here—not as style, but as method.
2017-2018 · 40+ works · Ink and graphite on paper · Variable scales
Personal vocabulary meets institutional demand.
The constraint begins. Every mark final.
Origin Point · 2018